Apple Pres codec video is perfect supported by Final Cut Pro, if you want to import Fujifilm GFX 100S video into FCP X, FCP 7 and FCP 6 for editing. You can convert Fujifilm GFX 100S H.265 video to ProRes 422 or ProRes 4444 MOV video via H.265 Video Converter.
Movie Format:
.MOV files holding MPEG-4 AVC / H.264 or HEVC / H.265 all Intra/Long-GOP video and two channels of 24-bit linear PCM 48 ksps audio.
External Recording Modes:
Raw 12-Bit : DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p;
4:2:2 10-Bit : DCI 4K (4096 x 2160)23.976p/24.00p/25p/29.97p
Movie Resolution: DCI 4K (4096 x 2160), UHD 4K (3840 x 2160), DCI 2K (2048 x 1080), Full HD (1920 x 1080)
The Fujifilm GFX 100S is the logical next step in the development of the company’s medium format lineup: a 100MP sensor in a single-grip DSLR styled body. But don’t mistake predictability for complacency: the GFX 100S is an awful lot of camera.
Final Cut Pro is a non-linear video editing software developed by Macromedia Inc. and later Apple Inc. The most recent version, Final Cut Pro X, runs on Intel-based Mac OS computers powered by OS X version 10.6.8 or later. The software allows users to log and transfer video onto a hard drive, where it can be edited, processed, and output to a wide variety of formats. But Final Cut Pro doesn’t support Fujifilm GFX 100S 4K H.265 video well. For importing Fujifilm GFX 100S 4K H.265 MOV video into Final Cut Pro uickly and editing without rendering, you need to convert Fujifilm GFX 100S H.265 to Prores video via best H.265 Video Converter for Mac.
In order to fulfill this task perfectly, I’d like to highly recommend Acrok Video Converter Ultimate for Mac, which enables you easily convert H.265 .mov to ProRes for editing smoothly in FCP X as well as other famous codecs like MPEG-2, Apple Intermediate Codec, DNxHD, etc to seamlessly fit for Vegas Pro, Premiere Pro, Avid Media Composer, iMovie and more NLE systems. If you are a Windows user, you can also turn to the Acrok Video Converter Ultimate. Download the software and this article will guide you through how to rewrap and transcode Fujifilm GFX 100S footage to ProRes codec for editing in Final Cut Pro.
Free download H.265 to Final Cut Pro X Converter
How to convert Fujifilm GFX 100S H.265 for using in FCP X?
Step 1: Add Video
Run Fujifilm GFX 100S Video Converter as the best H.265 to FCP X converter on Mac, click add video icon to add Fujifilm GFX 100S video from your camera SD card or computer.
Step 2: Choose Final Cut Pro X Best Codec Video
As we know, we can import and edit Apple ProRes MOV video in FCP X without any problem, so we can convert Fujifilm GFX 100S video to ProRes 422 or ProRes 4444 for Final Cut Pro. Click “Format” bar, we can get Apple Prores codec profiles under “Final Cut Pro” category. Just select one as the output video format.
Tip: Settings and Editing
If you like you can click “Settings” button to adjust video and audio settings, including codec, aspect ratio, bit rate, frame rate, sample rate, and audio channel. If you like, you can click “Edit” to trim, crop, merge, split the MOV video files on Mac, even add 3D effect onto the Fujifilm GFX 100S videos.
Step 3: Start H.265 to ProRes Conversion on Mac
Click the “Convert” icon to convert and transcode Fujifilm GFX 100S H.265 MOV to ProRes MOV on Mac. The best H.265 Converter for Mac will run H.265 to ProRes conversion processing fast, you can check the progress bar easily.
Step 4: Import Fujifilm GFX 100S videos into FCP X
When the Fujifilm GFX 100S 4K H.265 footage to ProRes video conversion is done, click “Open” button to get the converted Fujifilm GFX 100S video files. Run Final Cut Pro, load the video into it for editing now.
Tha’s all, now you can import and edit Fujifilm GFX 100S H.265 video in FCP X via ProRes codec video.
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